Producing work for Experiential or Integrated campaigns has been a natural next step in production for Kylie. Coming from a technical background, setting up a project whether it be for digital, stills, print, billboards or VR: creating a workflow knowing the final output has been a huge plus.
Melbourne’s High Capacity Train
Client - Victorian Government
Production company - Otto Empire / Studio Bravo
Producer - Kylie Risson
Deliverables - 1 x 2 min, Apple Pro Res, 30fps (with
MKV container) spatial audio.
A Cheer and a Half
Client - Ogilvy / Mondelez
Production company - Hogarth
Editor - The Editors
Producer - Kylie Risson
Deliverables - 1 x 30 sec, Apple Pro Res (3.88:1)
Client - Ogilvy / Peet
Production company - Otto Empire
Executive Producer - Jo DeFina
Producer - Kylie Risson
Deliverables - 7 x 45 sec - 2 min, Apple Pro Res (h.264) 30fps, spatial audio.
Ritz Minis
Client - Ogilvy / Mondelez
Production company - Hogarth
Edit + sound - Kane Dixon
Producer - Kylie Risson
Deliverables - 3 x 6 sec, Apple Prores, 1:1, 5:4, 9:16.
3 x Stills, 1:1, 5:4, 9:16.
